The Importance Of Nonverbal Communication - 1097 Words

Communication is defined as a system, in which individuals either verbally or non-verbally contribute to information and ideas. Nonverbal communication is a communication between individuals by means of sending and accepting wordless clues. It is a powerful tool for an individual to comprehend and utilize nonverbal communication, which can enable you to associate with others, express what you truly mean, and build better relationships. Nonverbal communication has a wonderful effect on the whole communication system and our social environment. There are various functions and types of nonverbal communication. It directs relationships and can bolster or even supplant verbal communications in several circumstances. It can turn into a boundary†¦show more content†¦The accenting function is a sort of body language that underscores, softens, emphasizes, or improves your verbal correspondence (Hybels Weaver, 2007). Different Types of Nonverbal Communication Nonverbal communication contains several different forms. Paralanguage, kinesics, proxemics and chronemics, are four main types of nonverbal communication (Frederick Lunenburg, 2010). And, they are such as, 1. Kinesics Kinesics is the study of body movements even stance (Bowden, Furnham, Walters, 2011). It incorporates facial expressions, gestures, touching, eye behavior and some other movement of body and limbs. The physical attributes such as body shape, posture, physique, weight, skin color, hair, height and other are related with kinesics. Gestures disclose how individuals are feeling. Individuals tend to gesture more when they are eager, energized, and empowered. Individuals tend to gesture less when they are crippled, worried, apprehensive about their impression. Hand gestures are utilized to express endorsement and palms spread outward to show perplexity, give important insights to correspondence. Facial expressions pass on an abundance of data. The specific look on an individuals face and developments of the individuals head give reliable prompts as to endorsement, dissatisfaction, or doubt. When individuals start to encounter a feeling, their facial muscles are activated. The six universal expressions that most societies perceiveShow MoreRelatedThe Importance Of Nonverbal Communication1194 Words   |  5 PagesCommunication plays a key role in every culture, but the importance or preference a culture places on verbal or nonverbal communication differs greatly. The country of Japan is a high-context culture, which means their society places a greater importance on nonverbal communication rather than verbal communication. In order to understand why Japan places such importance on nonverbal communication, the way they verbally communicate with others needs to be discussed first. Many cultures outside of JapanRead MoreThe Importance Of Nonverbal Communication6466 Words   |  26 PagesCommunication Communication plays a key role in every culture, but the importance or preference a culture places on verbal or nonverbal communication differs greatly. The country of Japan is a high-context culture, which means their society places a greater importance on nonverbal communication rather than verbal communication. In order to understand why Japan places such importance on nonverbal communication, the way they verbally communicate with others needs to be discussed first. Many culturesRead MoreThe Importance Of Nonverbal Communication1056 Words   |  5 PagesCommunication has been described as a flow of information between two parties principally between a source and a receiver. Communication is a any behavioral approach that can come in the verbal, nonverbal or graphic form that is sent by one and receive by another. Communication demonstrates our ability to interact and influence others in a useful way. Successful people are not only proficient in their own fields but also communi cation oriented and possessed a quality to demonstrate professional behaviorRead MoreThe Importance Of Verbal And Nonverbal Communication1421 Words   |  6 Pagesâ€Å"Communication is an integral part of life; without it, we would not survive†¦Ã¢â‚¬  Communication is needed not only to send and receive information and knowledge, but the most important aspect of communication is the ability to connect with other human beings around the world regarding the topics of relationships, families, organizations, cultures and nations (Vertino, 2014). A nurse must provide care that treats the whole person, not just the physical body. This concept is known as holistic care (BlairRead MoreThe Importance Of Verbal And Nonverbal Communication .1797 Words   |  8 Pages The Importance of Verbal and Nonverbal Communication Veanna Shaw Fayetteville Technical Community College Abstract Communication is a vital part of everyday life for everyone. It is how individuals express their ideas, feelings, grievances and emotions. There are two types of communication, verbal and nonverbal. This paper will examine how they are each individually necessary and how together they offer unlimited possibilities of communicating any and everythingRead MoreThe Importance Of Verbal And Nonverbal Communication1148 Words   |  5 Pagesinterpersonal communication. In this paper, principles of communication will be discussed and a personal experience will be given to relate into those principles. The Blocks of Communication The building blocks of communication vary in various principles. Those principles are called verbal messages, nonverbal communication, emotions and emotional messages, and the principles of conversation. Each of the principles engages in specific speciality for an effective interpersonal communication. Communication isRead MoreThe Importance Of Verbal And Nonverbal Communication1265 Words   |  6 Pageswill discuss the processes of verbal and  nonverbal communication, including associated components of each, the differences between listening and hearing regarding communications. Also covered will be the formal and informal channels of communication that may be used within criminal justice organizations and implemented strategies used to overcome communication barriers therein. Verbal and nonverbal communication are the two main divisions of communication, and each specific realm deals with its ownRead MoreThe Importance Of Verbal And Nonverbal Communication1271 Words   |  6 Pages â€Å"Sometimes the greatest adventure is simply a conversation† (Amadeus Wolfe). Verbal and nonverbal communication play such a significant role in our everyday lives, but we have scantily taken the time to notice how what we say, or how our body language can affect those around us. The bat of an eyelash, the touch of an arm, the way we push our hair out of our face or the bite of a lip can indicate flirtation. Those that know me can read every emotion from my face, or so I’ve been told. Although,Read MoreThe importance of nonverbal communication in the medical profession Communication skills are1800 Words   |  8 PagesThe importance of nonverbal communication in the medical profession Communication skills are quite essential in civilized societies. This is due to their numerous conventions in different aspects of life. These skills do not only involve the verbal side but also the nonverbal side. Nonverbal communication importance used to be neglected by individuals in the past. However, in recent years, people are starting to recognize their crucial roles in their daily lives. They are now more interested inRead MoreEssay on Between the Lines: The Importance of Nonverbal Communication1215 Words   |  5 PagesBetween the Lines: The Importance of Nonverbal Communication The symbols we use to communicate are the vital fabric that holds human society together. Every day, billions of people around the globe use a plethora of symbols to relay information, exchange ideas, and solve problems. When these symbols are used in an effective way, they can change how someone views life, rouse people to a common cause, or infuse emotions and ideas into those that can understand. But what kind of symbols am I referring

Accounting Standard-Setters Free Essays

Accounting standard-setters have an expectation that the readers of general purpose financial reports have a ‘reasonable knowledge’ of accounting. Specifically, the IASB Framework states that ‘users are expected to have a reasonable knowledge of business and economic activities and accounting and a willingness to study the information with reasonable diligence’. Hence, there is an expectation that financial statements are not tailored to meet the needs of people who have not, in some way, studied financial accounting. We will write a custom essay sample on Accounting Standard-Setters or any similar topic only for you Order Now Students should be encouraged to consider whether this expectation is in itself ‘reasonable’. As Chapter 2 states, there is an expectation held by accounting standard-setters that users of financial statements have a reasonably sound knowledge of financial accounting. For example, within the IASB Framework (which is also the Australian Accounting Standards Board (AASB) Framework) reference is made to users who ‘are expected to have a reasonable knowledge of business and economic activities and accounting and a willingness to study the information with reasonable diligence’. Within the United States Conceptual Framework Project, reference is made to the ‘informed reader’. Hence, a view has been adopted by the regulators that users of financial statements should have a certain level of knowledge, and when accounting standards are being developed, this level of knowledge is assumed. In defence of this position, we could probably argue that if such an assumption was not made then the development of accounting standards would be much more difficult and time consuming given that the standard-setters would need to consider how uninformed users might react to the particular standards. The position adopted is also consistent with other professions which also typically assume a certain level of expertise when developing guidance for their professions’ members (however, we need to be careful with justifications like this—just because others do a certain thing does not mean it is the ‘right’ thing). If users find it necessary, there are many experts who would be available to provide advice on how particular numbers were derived. Of course, such advice will generally be at a cost which does raise the issue that it can be costly for some individuals to gain an understanding about the operations of organisations that perhaps have an impact on their ongoing existence. Hence, while there is arguably a ‘right-to-know’, for people without an accounting knowledge this right can only be exercised at some cost. In making this judgement, students should consider the various articles that frequently appear in newspapers, and various discussions that occur on television and radio in relation to an organisation’s profits. Rarely is any mention made of the accounting methods used, even though the profits ultimately reported are directly a product of the many decisions that would have been made regarding how particular items should be accounted for (if possible, direct reference should be made to a number of articles which discuss organisations’ reported profits). Hence, it does appear as if profits are often held out as some form of ‘hard’, objective measure of organisational performance. In considering why the media might behave in this manner, one possibility is that those responsible for writing the stories are ignorant that financial accounting relies upon a great deal of professional judgement and they might believe that every decision made by accountants is clearly mapped out by a comprehensive system of rules. Alternatively, the writers might consider that people simply do not want to be ‘bogged down’ in the fine detail. As another possibility the accounting profession, through such vehicles as conceptual frameworks, may have successfully cultivated an impression (with the people in the media, and others) that the practice of accounting is objective, and the output of the accounting system is highly comparable between different entities—meaning that one organisation’s profits can appropriately be compared to another. The implications of this approach to reporting profits in the media is that one entity’s performance as represented by its profit might simply be compared to another, and that the entity with the higher reported profit might be considered to be more successful, and therefore to represent a better investment. Its management might also be considered in a more favourable light than the management of the entity with the lower reported profits. Implications such as this, however, assume that readers and media listeners do not appreciate that profits are directly related to the various accounting choices made. Advocates of an efficient market perspective, however, might argue that as long as the information about accounting method selection is made public somewhere, such as in the annual report, then the market (for example, the capital market), on average, will be able to understand how the adoption of particular accounting methods affected reported profits, and hence the market will not simply fixate on the final numbers reported. There are differences in opinion about the efficiency of markets, such as the capital market. A further point that could be raised in relation to this question is that accounting ‘profits’ are not a comprehensive measure of organisational performance given that accounting profits typically disregard many of the social and environmental implications of a reporting entity. How to cite Accounting Standard-Setters, Essay examples

Robert aldrich Essay Example For Students

Robert aldrich Essay Robert Aldrich was born into an extremely wealthy family. He became an assistant director in Hollywood, working in the 1945 1952 period with many directors. A notably high percentage of these were in the extreme left: Jean Renoir, Lewis Milestone, Robert Rossen, Joseph Losey, Charles Chaplin. Kiss Me Deadly (1955) is Aldrichs most remarkable film. Aldrich began directing in 1953, and by then, the film noir cycle had run its course as a Hollywood phenomenon, peaking in the years 1942 1951. However, film noirs were still being made steadily through the 1950s, and many of these works were classics of the cycle. There is a remarkably detailed visual analysis of the film in Kiss Me Deadly: Evidence of a Style by Alain Silver, in Film Noir Reader (1996), edited by Alain Silver and James Ursini. The remarks below are simply intended to point out a few more things about this film, one of the most complex and creative of all film noirs. The staging in Kiss Me Deadly shows a three dimensiona l quality. Partly this is due to depth of field. Many scenes keep in focus far into the rear of the scene. This is a technique associated in Hollywood with Orson Welles. Aldrich is often considered to be a Welles disciple. There are other techniques that aid in the films 3D quality: 1) The showing of an irregular wall along one side of the shot. When Mike Hammers car pulls up to a gas station near the beginning of the film, we see the entire front of the gas station along the right side of the shot. The gas station facade is by no means smooth; it contains many projections. All of these are fully lit up. The gas station is shot as if it were an elaborate piece of sculpture, like one of Louise Nevelsons friezes. As the camera moves past it, it emphasizes the stations complex 3D qualities. The projections on the station all are rectilinear: they are box like, with flat, perpendicular walls. A shot with even greater depth of field shows Mike Hammer knocking on a door in the Angels Flig ht neighborhood. Behind him we see first a long narrow alleyway, then a huge depth of field showing a Los Angeles city scape. This is an astonishing shot. Both the alley and the cityscape are irregular, just like the gas station. They are full of protuberances, and show a huge amount of specialized detail. The stairs view is bounded on the left by many protuberances from the building, mainly rectilinear, although there are some angular planes as well. A third similar shot shows the left hand side wall of Hammers apartment. The tables and furniture form the rectilinear protuberances near Hammers wall. 2) Aldrich often shows scenes with an L construction. For example, take the gas station, once the characters stop there and get gas. The front of the station is a long horizontal space. Then, at the left hand side of the station, we also see a walkway going straight back from the camera. The walkway is joined to the front of the station like the letter L. The front of the station forms the long part of the L, the shorter walkway the connecting stoke at the base of the L. Hammers apartment is set up in a similar way. There is a long living room that is often shot so that it stretches from left to right, horizontally across the screen (just like the front of the gas station). Then at the left of the screen, a passage leading straight away from the camera leads to Mike Hammers bed room (like the walkway at the left of the gas station). This is the same geometry of set design and camera set up in both scenes. The gym shows a similar L, but with the passage (the staircase) on the right hand side of the shot, not the left. The L construction shows movement in two completely perpendicular directions. This emphasizes the 3D nature of the shot. People do move along the short bar of the L: for example, at the gas station Cloris Leachman moves first down the side of the gas station, directly away from the camera, then returns the same way straight toward the camera. One can find somewhat similar effects in Orson Welles The Lady From Shanghai (1948). Grisbys business office in the film contains both a wall with a safe, parallel to the image plane and close up, and areas of greater depth, containing the desk. Welles tracks from the deep region to the shallow, and back again. Aldrich shows a slightly different over all pattern, of revealing the geometry of the scene. Aldrich will typically start at the flatter part of the composition, showing the viewer nothing but a flat planar surface, parallel to the frame. Then a lateral track will reveal the deep area opening up: something that is visually quite surprising. Then Aldrich will typically show both parts of the L at once. There are variations in this approach. At Carvers apartment, the deep area is in the center of the shot, not the edge. The effect is of an inverted T, not an L. At first, the door leading to the central deep part is closed, and the viewer cannot see it: the whole image looks like a flat surface. Then Hammer opens the door, and the deep well is revealed. The effect is even more startling than the tracking. Here the central area includes the complexity of a staircase, unlike the corridor like wells of the L shots, so the effect is even more complex and startling. 3) Aldrich will often include different pointing planes in the same shot. This gives a sense of 3D to the scene. For example, a two shot of Hammer and his policeman friend Pete show each near a door. Petes door is closed, and pointing along one plane. Hammers door is slightly open, and pointing in a different direction, at an angle to the first door. Both men are standing along the edge of their door, so that the door underlines and exaggerates the positioning of their bodies. Each seems more macho and aggressive, with the full rectangular region of the door behind them. They also seem at slightly cross purposes. Like the directions of the doors, they seem both nearly in the same direction, but also skewed on an angle to each other. The geometry of the scene also suggests things about their personal relationship. It also helps characterize Mike Hammer: he is a man who likes to have his back scratched, like a cat. Some people like to stand so that a door is rubbing them in their back: Hammer is one of them. The hospital scene shows an astonishing composition formed by tilting the camera. One component of this composition: a screen. The screen is placed at an angle jutting out of the wall. This is not so unusual if the scene were filmed straight on, but tilted as it is, it makes a very unusual planar projection into the surface. One is reminded of the early three dimensional reliefs of Picasso and then Tatlin, which also use a basically flat background, such as Aldrichs hospital wall, with other planes jutting out at slight angles, such as Aldrichs screen. 4) A scene in a bedroom shoots a table and its contents at an angle. The camera is turned at an angle that does not align with eithe r of the perpendicular axes of the table. But, a clock on the table is turned so that it is exactly parallel to the plane of the shot. The clock is a very small space, but it becomes the center of the shot, because it is in such geometric alignment with the camera frame. The effect is to underline visually the various planes of the shot. It emphasizes the contrast between the camera plane, and the planes of the room and the table. The viewer becomes much more conscious of them then if the table were merely shot at a slightly off angle. 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